Nolan writes, "McFarlane’s keen eye for form finds delightful expression in Out Foxed, a collages piece where the layers are cut from old circuit boards rather than paper. A large fleet of yellow hunting dogs races toward the left side of the scene. Meanwhile, the crafty red fox is headed in the opposite direction and just about to leave the right side of the frame."
Martin’s large canvases feel like a shared memory of human history. The best and worst events are depicted in vivid colour, with their familiar narratives and actors, yet they are bathed in the impossible. They are as seen through a dream.